А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ы Э Ю Я [A-Z] [0-9]
 
     
 

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Книги 1—4 из 4.
  • Цветы для Элджернона (роман)
  • Жанр: Научная фантастика
  • Тридцать лет назад это считалось фантастикой.Тридцать лет назад это читалось как фантастика. Исследующая и расширяющая границы жанра, жадно впитывающая всевозможные новейшие веяния, примеряющая общечеловеческое лицо, отважно игнорирующая каинову печать «жанрового гетто».Сейчас это воспринимается как одно из самых человечных произведений новейшего времени, как роман пронзительной психологической силы, как филигранное развитие темы любви и ответственности.Не зря вышедшую уже в 90-е книгу воспоминаний Киз назвал «Элджернон и я».

  • Fiori per Algernon
  • Жанр: Научная фантастика
  • Algernon ? un topo, ma non ? un topo qualunque. Con un’audace operazione, uno scienziato ha triplicato il suo QI, rendendolo forse pi? intelligente di alcuni esseri umani. Di certo pi? di Charlie Gordon che, fino all’et? di trentadue anni, ha vissuto nella dolorosa consapevolezza di non essere molto… sveglio. Ma cosa succede quando quella stessa operazione viene effettuata su Charlie?Vincitore del premio Nebula per il miglior romanzo in 1966.Nominato per il premio Hugo per il miglior romanzo in 1967.

  • Flowers for Algernon
  • Жанр: Классическая проза
  • Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye; and he who remembers this when he sees any one whose vision is perplexed and weak, will not be too ready to laugh; he will first ask whether that soul of man has come out of the brighter life, and is unable to see because unaccustomed to ...

  • Flowers for Algernon (short story)
  • Жанр: Классическая проза
  • wiki page: Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye; and he who remembers this when he sees any one whose vision is perplexed and weak, will not be too ready to laugh; he will first ask whether that soul of man has come out of the brighter life, and is unable to see because unaccustomed to the dark, or having turned from darkness to the day is dazzled by excess of light. And he will count the one happy in his condition and state of being, and he will pity the other; or, if he have a mind to laugh at the soul which comes from below into the light, there will be more reason in this than in the laugh which greets him who returns from above out of the light into the den.—Plato,