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Britton Andrew - скачать бесплатно все книги автора

 

 

Книги 1—5 из 5.
  • The American
  • Жанр: Шпионский детектив
  • At thirty-three, Ryan Kealey has achieved more in his military and CIA career than most men can dream of in a lifetime. He’s also seen the worst life has to offer and is lucky to have survived it. But being left alone with his demons is no longer an option. The CIA needs him badly, because the enemy they’re facing is former U.S. soldier Jason March. Ryan knows all about March – he trained him. He knows they’re dealing with one of the most ruthless assassins in the world, a master of many languages, an explosives ...

  • The Assassin
  • Жанр: Шпионский детектив
  • More than a year has passed since Ryan Kealey prevented the assassination of multiple world leaders in the nation’s capital. While his work is brilliant, he’s considered damaged goods. Now he’s about to become a key player in a plot of unimaginable scale. For something big is about to go down in New York City.When a top Iranian source reveals that Iran is planning to bomb the United Nations, U.S.Intelligence begins counter-measures. Only Kealey sees it as a smokescreen for another, far more involved plot. But getting anyone to believe him ...


  • The Invisible
  • Жанр: Триллер
  • In his third espionage thriller (see THE ASSASSIN and THE AMERICAN) Kealey remains out of control and fun to watch, but has lost some of his edge. Still this terrorist vs. anti-terrorist High Noon tale is fast-paced and filled with action of a blow em up variety. Readers who enjoy a high octane tale will be pleased with Andrew Britton's latest escapade though it reads too similar to his hero's A book encounters.An “invisible” is CIA-speak for the ultimate intelligence nightmare: a terrorist who is an ethnic native of the target country and who can cross its borders unchecked, move around the country unquestioned, and go completely unnoticed while setting up the foundation for monstrous harm.This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.