The demon Lilith has been destroyed and Jace has been freed from her captivity. But when the Shadowhunters arrive to rescue him, they find only blood and broken glass. Not only is the boy Clary loves missing — but so is the boy she hates, Sebastian, the son of her father Valentine: a son determined to succeed where their father failed, and bring the Shadowhunters to their knees.The bestselling Mortal Instruments continues — and so do the thrills and danger for Jace, Clary, and Simon. Can the lost be reclaimed? What price is too high to pay for love? Who can be trusted when sin and salvation collide? Love. Blood. Betrayal. Revenge. Darkness threatens to claim the Shadowhunters in the harrowing fifth book of the Mortal Instruments series.
In Sin City, a little girl suffers from a strange and terrible malady. If she dies, the Light will die along with her.Warrior, avenger, Joanna Archer has survived countless otherworldly terrors – and has found her rightful place among the agents battling the all-pervasive evil of Shadow… even as she struggles against the darkness within herself.A war is raging for Las Vegas – a city without a heart – one that catapults Joanna into a new world hidden from mortal sight. In this lethally seductive alternate dimension the lines blur between good and evil, love and hate, and here lies the last hope for the Light. But Joanna's price of admission is a piece of her own soul – and the odds of her escaping are slim… to none.
Alternatywne zako?czenie sagi o wied?minie. Magia, czarownice i kosmiczne bitwy. Koty, koty, po trzykro? koty! Sapkowski ma fenomenalny dar narracji, wymy?lania sensacyjnych wydarze?, tworzenia sugestywnego nastroju, stopniowania napi?cia. Tudzie? b?yskotliwe, z lekka cyniczne poczucie humoru: trze?wi?ce, pozwalaj?ce tropi? mniej lub bardziej zakamuflowane kpinki, odniesienia, cytaty. W?r?d licznych talent?w Andrzeja Sapkowskiego jednym z najbardziej ol?niewaj?cych jest umiej?tno?? jasnego i klarownego przedstawiania rozmaitych machanizm?w ?ycia: psychologicznych, spo?ecznych. Tak?e mechanizmu historii.
